“ Si človek, rob chyby a dovoľ si to. Tak to funguje proste. Ak neojebeš iného ojebeš sám seba…”
Predstavenie s použitím textu Jany Micenkovej „Veľký šváb na facebooku “ oceneného v rámci súťaže „VEJK AP!2“
Réžia: Ľubo Burgr
Hrajú: Peter Kočiš, Zuzana Psotková, Jana Wernerová
Hudba: Ľubo Burgr a výber
Projekt bol realizovaný s finančnou podporou Ministerstva Kultúry Slovenskej republiky.
Premiéra: 22.12.2011, Akadémia ROVÁS Košice
https://youtu.be/fcbknaKpATk
Fasbuk/ performance
„I don’t know, we’re only human and that’s it… That’s the beginning and the end of everything. You’re human, make mistakes and afford it. That’s the deal. And that’s why it’s true if you don’t fuck somebody else over, you’re fucking over yourself… That’s just how it works!”
The play based on the texts by Jana Micenkova „Big cockroach on Facebook“ awarded in „VEJK AP!2“ competition and a fragment from A.P. Chekhov’s „Seagull“.
Author: Ľubo Burgr & NA PERÓNE |Director: Ľubo Burgr |Performers: Peter Kočiš , Zuzana Psotková, Jana Wernerová | Dramaturgy: Ľubo Burgr & NA PERÓNE | Music: Ľubo Burgr & selection | Light design: Ondrej Balog | Sound: Palko Matia | Translation: Barbora Tóthová
The performance FASBUK („Ode to Theatre“) was created as a collective creative process as a result of attempting to dramatize a text awarded in competition „Vejk AP2!“. The setup of actors and director during the rehearsals brought up themes which kept increasing distance to the original text. The actors, later being also co-authors, were confronted with their desire to do theatre reflecting their feelings and the responsibility to interpret the original text. „My Life in Projects“, that’s how today’s paraphrase of Stanislavki’s „My Life in Art“ would be today according to the authors of FASBUK.
Premiere: 22 December 2011, ROVÁS Studio, Košice
The project was supported by the Ministry of Culture of the Slovak Republic.
Staging contains expressive content. It is optional to stage the performance with English subtitles.
„FASBUK is an original mosaics of mini-stories with intense climaxes. Burgr’s directorial concept is built on stout actors‘ grip on the characters and clear textual message. Viewers can look forward to a generation’s statement, almost a confession about ourselves. All of that, despite the harshness of the confession, shown gently and gracefully‘‘- Hana Rodová, reviewer at KOD – Concretely about Theatre.
